Just watched "27 dresses" it unfortunately has the same disastrous effect as "The Leap Years"...the last quarters never always materialise...

distractions can be great, but ultimately are just distractions...

i know what's the right thing to do and am slogging in that aspect, but the right is so subjective...to me it seems wrong at times...bounded by hurt and guilt with conscious modes of thinking...internalising peripheral advice narrows and mellows things down...but can't help in cutting it out...all pinnings can only be postulated...

i think i've really managed to grasp and relate to goffman's theory; once the audience has gained acces to the backstage, it seems close to impossible to continue the show without the audience knowing that the actor is acting...